Amiri showcased two tones of colors, olive and then checks in addition to the python-print. We saw as well a shearling-face guitar case—there were a lot of handsome guitar and mandolin cases—teamed with a shearling-face blouson. Jeans patched with panels of fabric used in the outerwear looked good. At the end of the show, Amiri faded to very near white. A long beige overcoat was worn with a cream leather shoulder-holster harness attached to two envelope-size leather pockets that rested alongside each pectoral.